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Spectre is the twenty-fourth film in the James Bond series produced by EON Productions.Like the previous film Skyfall, Spectre was written by John Logan, Neal Purvis and Robert Wade is directed by Sam Mendes and features Daniel Craig in his fourth performance as James Bond. The film was released in the UK on 26 October 2015, fifty years after release of Thunderball (1965), thirty years after.
We got some interesting tidbits for James Bond 25 late last week. The big news is that Lea Seydoux is returning to the franchise, potentially making Dr. Madeleine Swann the first reoccurring leading “Bond Girl” for the franchise. There was talk of Izabella Scorupco’s Natalya Simonova (the best Bond Girl from the best Bond movie) returning for Tomorrow Never Dies and Pierce Brosnan wanted that film’s Michelle Yeoh to return for Die Another Day (with Halle Berry’s Jinx presumably filling the co-star slot). If this comes to pass, Swann will return to live and let die. The film tried to sell the idea that Swann was more than just a shag, that she was grand enough and their relationship solid enough that Bond would essentially retire to spend his days with her.
On one hand, that doesn’t really show in the screenplay, as (through no fault of Seydoux’s) the movie jumps straight from “I hate you!” to “I love you!” in a blink of an eye. Now, to be fair, if you consider the last four 007 movies to essentially be Bond’s first four key adventures, then in this timeline he’s only had one old-school Bond Girl in the form of Eva Green’s Vesper Lynd in Casino Royale. Olga Kurylenko’s vengeance-driven Camille Montes was a platonic pal who bonded with Bond over similar issues, while the Bond Girl in Skyfall was technically Judi Dench’s doomed M. Maybe this version of 007 essentially falls in love with (and is willing to retire for) any somewhat intelligent hottie who challenges him and still thinks he’s dreamy.
Dr. Swann is the first such woman to survive her initial encounter. While I wasn’t crazy about Kingsman: The Golden Circle, it tried to tell a story about a dashing 007-type spy who ended up in a committed relationship and tried to do his job without cheating on his girlfriend. That’s, of course, assuming director Cary Fukunaga and writers Neal Purvis and Robert Wade don’t do the obvious thing and kill her off in the first act in a lazy attempt to replicate On Her Majesty’s Secret Service. What this all signals, as does the apparent return of Ralph Fiennes (M) Ben Whishaw (Q) and Naomie Harris (Moneypenny), is that James Bond 25 is going to be a full-on sequel to Spectre. That sounds like either a terrible idea or a grand challenge.
No, I don’t know if Christoph Waltz will return as Blofeld, but since the character was captured alive at the conclusion of the last movie he can show up or not as the narrative requires. Fukunaga has noted that the first 007 movie he ever saw was that final Roger Moore flick, and he (like most of us) is a huge fan of the Duran Duran theme song. While I’m hoping that this new flick won’t be a copy of A View to a Kill (which itself was a loose redo of Goldfinger with a bit of Superman: The Movie thrown in for good measure), the film’s San Francisco location would be interesting if this sequel picks up on the whole “surveillance = evil” themes of Spectre while dealing with the current moral rot of Silicon Valley.
All of this is dancing around the elephant in the room, which is that I hated Spectre when I saw it in October 2015 and I hated it again when I rewatched it on Blu-ray (fun fact: the subtitles give away Waltz’s villainous alter-ego an hour prior to his name-revealing monologue) a few months later. It looks great, but it plays like a weak sauce redo of Skyfall while trying and failing to mix “serious origin story” 007 with the kind of high camp associated with the late Sean Connery and early Roger Moore entries. However, I’m not displeased that James Bond 25 will pick up where Spectre left off. In an era when sequels often just retcon or ignore the installments that they didn’t like, it counts as courage to play with the hand you’re dealt.
I will presume that the choice to make James Bond 25 into a sequel is partially motivated by a need to hit that February 14, 2020 release date. If you recall, it was the 2007 Writers Guild strike that partially caused Quantum of Solace to become an outright sequel to Casino Royale. As someone who likes Quantum of Solace more than you (as one of two dozen existing 007 flicks, it works as a deeply political change-of-pace entry), I am intrigued by the notion of doing such an explicit continuation yet again. Financially speaking, it was no surprise that it was still a huge hit ($200 million domestic/$881m worldwide), since the movie still gave you the nuts-and-bolts elements (big action, cool vehicles, hot girls, exotic locales, etc.) that fans require from the series.
It was a clear case where even the bad reviews didn’t necessarily hurt the movie since they still assured fans that they’d get what they wanted out of it. Ironically enough, the 007 series, more than most, has the ability to wipe the slate clean every time out, which is why I wasn’t remotely worried for the long-term health of the saga after I saw (and loathed) Spectre. But the choice to sequel-ize seems, on its face, like an unnecessary burden. It also qualifies as a fascinating artistic challenge. Whether you liked Spectre or not, it works as a kind of finale to the Daniel Craig 007 story, where he discovers the big truth about his shadowy nemesis, takes down the organization that’s been puppet mastering the last three movies and walks away with the girl.
The key reason this intrigues me is that it runs contrary to current thinking when it comes to big franchises. We just had a blockbuster Halloween movie ($253 million on a $10m budget) that explicitly wrote-out six prior “in continuity” sequels just because they could. We’ve been threatened for years with a possible Alien sequel that picks up after Aliens and ignores everything that came afterward. The Terminator sequels and reboots are always quick to ignore everything after Terminator 2: Judgment Day, while Superman Returns stumbled by making itself a kinda-sorta sequel to Superman and Superman II (but not Superman III or The Quest for Peace). As such, there is something almost noble about EON, MGM and friends not totally ignoring Spectre but acknowledging that it happened and trying to make a good movie out of its continuity.
To be fair, many franchises have flourished by embracing their continuity. The Saw franchise made it something of a trademark, while the Fast and Furious movies broke out only when they leaned-in to their convoluted storytelling (with a cinematic universe created by accident as a result of being unable to get both Vin Diesel and Paul Walker back for the first two sequels). The Mission: Impossible movies have become more narratively entrenched while turning Ethan Hunt into Tom Cruise’s most autobiographical role, and the MCU has thrived by successfully balancing stand-alone franchises with interconnected long-form narratives. While the pre-release press tour will surely be filled with choice quotes concerning why Spectre didn’t work (with assurances that the next one will be better), it is oddly encouraging and intriguing that they aren’t just starting over from scratch.
I have no idea what the new James Bond movie will be about. Nor do I know if it will acknowledge the grim reality where the American president is a fumbling wannabe Blofeld who single-handedly turned Jon M. Chu’s G.I. Joe: Retaliation into the most prescient blockbuster of the post-9/11 “We’re so topical now!” tentpoles. But the choice to keep Dr. Swann (and the rest of the field-ready 007 Scooby Gang supporting cast) intrigues me specifically because I thought Spectre was such a botch. Whether due to scheduling convenience or a genuine artistic desire to pick up the pieces, the choice to not conveniently ignore the much-derided prior installment automatically makes the next Bond flick an intriguing curiosity. After all, if the Creed franchise can artistically excel using the goofiest of the Rocky sequels..
James Bond 25 (which will presumably be called something else) opens courtesy of Annapurna (in North America) and Universal/Comcast (overseas) in February of 2020. As always, we'll see. Just don’t kill off Dr. Download saint row 3 highly compressed 2. Swann, because that would just be lazy.
'>We got some interesting tidbits for James Bond 25 late last week. The big news is that Lea Seydoux is returning to the franchise, potentially making Dr. Madeleine Swann the first reoccurring leading “Bond Girl” for the franchise. There was talk of Izabella Scorupco’s Natalya Simonova (the best Bond Girl from the best Bond movie) returning for Tomorrow Never Dies and Pierce Brosnan wanted that film’s Michelle Yeoh to return for Die Another Day (with Halle Berry’s Jinx presumably filling the co-star slot). If this comes to pass, Swann will return to live and let die. The film tried to sell the idea that Swann was more than just a shag, that she was grand enough and their relationship solid enough that Bond would essentially retire to spend his days with her.
On one hand, that doesn’t really show in the screenplay, as (through no fault of Seydoux’s) the movie jumps straight from “I hate you!” to “I love you!” in a blink of an eye. Now, to be fair, if you consider the last four 007 movies to essentially be Bond’s first four key adventures, then in this timeline he’s only had one old-school Bond Girl in the form of Eva Green’s Vesper Lynd in Casino Royale. Olga Kurylenko’s vengeance-driven Camille Montes was a platonic pal who bonded with Bond over similar issues, while the Bond Girl in Skyfall was technically Judi Dench’s doomed M. Maybe this version of 007 essentially falls in love with (and is willing to retire for) any somewhat intelligent hottie who challenges him and still thinks he’s dreamy.
Dr. Swann is the first such woman to survive her initial encounter. While I wasn’t crazy about Kingsman: The Golden Circle, it tried to tell a story about a dashing 007-type spy who ended up in a committed relationship and tried to do his job without cheating on his girlfriend. That’s, of course, assuming director Cary Fukunaga and writers Neal Purvis and Robert Wade don’t do the obvious thing and kill her off in the first act in a lazy attempt to replicate On Her Majesty’s Secret Service. What this all signals, as does the apparent return of Ralph Fiennes (M) Ben Whishaw (Q) and Naomie Harris (Moneypenny), is that James Bond 25 is going to be a full-on sequel to Spectre. That sounds like either a terrible idea or a grand challenge.
No, I don’t know if Christoph Waltz will return as Blofeld, but since the character was captured alive at the conclusion of the last movie he can show up or not as the narrative requires. Fukunaga has noted that the first 007 movie he ever saw was that final Roger Moore flick, and he (like most of us) is a huge fan of the Duran Duran theme song. While I’m hoping that this new flick won’t be a copy of A View to a Kill (which itself was a loose redo of Goldfinger with a bit of Superman: The Movie thrown in for good measure), the film’s San Francisco location would be interesting if this sequel picks up on the whole “surveillance = evil” themes of Spectre while dealing with the current moral rot of Silicon Valley.
All of this is dancing around the elephant in the room, which is that I hated Spectre when I saw it in October 2015 and I hated it again when I rewatched it on Blu-ray (fun fact: the subtitles give away Waltz’s villainous alter-ego an hour prior to his name-revealing monologue) a few months later. It looks great, but it plays like a weak sauce redo of Skyfall while trying and failing to mix “serious origin story” 007 with the kind of high camp associated with the late Sean Connery and early Roger Moore entries. However, I’m not displeased that James Bond 25 will pick up where Spectre left off. In an era when sequels often just retcon or ignore the installments that they didn’t like, it counts as courage to play with the hand you’re dealt.
I will presume that the choice to make James Bond 25 into a sequel is partially motivated by a need to hit that February 14, 2020 release date. If you recall, it was the 2007 Writers Guild strike that partially caused Quantum of Solace to become an outright sequel to Casino Royale. As someone who likes Quantum of Solace more than you (as one of two dozen existing 007 flicks, it works as a deeply political change-of-pace entry), I am intrigued by the notion of doing such an explicit continuation yet again. Financially speaking, it was no surprise that it was still a huge hit ($200 million domestic/$881m worldwide), since the movie still gave you the nuts-and-bolts elements (big action, cool vehicles, hot girls, exotic locales, etc.) that fans require from the series.
It was a clear case where even the bad reviews didn’t necessarily hurt the movie since they still assured fans that they’d get what they wanted out of it. Ironically enough, the 007 series, more than most, has the ability to wipe the slate clean every time out, which is why I wasn’t remotely worried for the long-term health of the saga after I saw (and loathed) Spectre. But the choice to sequel-ize seems, on its face, like an unnecessary burden. It also qualifies as a fascinating artistic challenge. Whether you liked Spectre or not, it works as a kind of finale to the Daniel Craig 007 story, where he discovers the big truth about his shadowy nemesis, takes down the organization that’s been puppet mastering the last three movies and walks away with the girl.
The key reason this intrigues me is that it runs contrary to current thinking when it comes to big franchises. We just had a blockbuster Halloween movie ($253 million on a $10m budget) that explicitly wrote-out six prior “in continuity” sequels just because they could. We’ve been threatened for years with a possible Alien sequel that picks up after Aliens and ignores everything that came afterward. The Terminator sequels and reboots are always quick to ignore everything after Terminator 2: Judgment Day, while Superman Returns stumbled by making itself a kinda-sorta sequel to Superman and Superman II (but not Superman III or The Quest for Peace). As such, there is something almost noble about EON, MGM and friends not totally ignoring Spectre but acknowledging that it happened and trying to make a good movie out of its continuity.
To be fair, many franchises have flourished by embracing their continuity. The Saw franchise made it something of a trademark, while the Fast and Furious movies broke out only when they leaned-in to their convoluted storytelling (with a cinematic universe created by accident as a result of being unable to get both Vin Diesel and Paul Walker back for the first two sequels). The Mission: Impossible movies have become more narratively entrenched while turning Ethan Hunt into Tom Cruise’s most autobiographical role, and the MCU has thrived by successfully balancing stand-alone franchises with interconnected long-form narratives. While the pre-release press tour will surely be filled with choice quotes concerning why Spectre didn’t work (with assurances that the next one will be better), it is oddly encouraging and intriguing that they aren’t just starting over from scratch.
I have no idea what the new James Bond movie will be about. Nor do I know if it will acknowledge the grim reality where the American president is a fumbling wannabe Blofeld who single-handedly turned Jon M. Chu’s G.I. Joe: Retaliation into the most prescient blockbuster of the post-9/11 “We’re so topical now!” tentpoles. But the choice to keep Dr. Swann (and the rest of the field-ready 007 Scooby Gang supporting cast) intrigues me specifically because I thought Spectre was such a botch. Whether due to scheduling convenience or a genuine artistic desire to pick up the pieces, the choice to not conveniently ignore the much-derided prior installment automatically makes the next Bond flick an intriguing curiosity. After all, if the Creed franchise can artistically excel using the goofiest of the Rocky sequels..
James Bond 25 (which will presumably be called something else) opens courtesy of Annapurna (in North America) and Universal/Comcast (overseas) in February of 2020. As always, we'll see. Just don’t kill off Dr. Swann, because that would just be lazy.
Bond 25 was, many thought, set to take the franchise in a new direction after the poor reception Spectre received. However, the film has been dogged with setbacks, and there seems to be more focus on who'll play Bond after Bond 25 rather than the movie itself. What exactly is going on?
It's been almost three years since the last James Bond movie, Spectre, released in Fall 2015, and since then it's been a rollercoaster. There's been a long will-he-won't-he of it Daniel Craig will return, multiple screenplays and now director drama.
Related: James Bond 25: Everything You Need To Know
Bond is one of the biggest franchises on the planet, so there's a lot of pressure to get it right. With that comes a lot of speculation and rumor - doubly so as this series brushes up with the British tabloids - which makes knowing the truth of 007's future rather tricky. Today, we're going to cut through all of the misinformation and tell you the facts (and a few uncertainties) of what's really going on with James Herbert Bond.
- This Page: What Is (And Isn't) Happening On Bond 25
- Page 2: The Future Of The Bond Franchise
When Is Bond 25 Coming Out?
After Spectre, in 2015, many assumed that Daniel Craig would hang up his tux and retire from playing the special agent - he made some very strongly worded claims on that film's press tour - but surprisingly he decided to stay on. By that point, the film had already been given a November 2019 release date. This was still two years away, so it seemed pretty attainable.
However, since then there have been some complications with both the scripts and filmmakers of Bond 25 (which we'll get to shortly) that presently leave the film without a director. While there have been reports that the release will subsequently be pushed back to 2020 or later, it appears that Eon is still hoping to make November 8, 2019, just over 14 months away.
That would seem entirely unattainable for most, but the Bond franchise has a history with tight schedules; Spectre didn't begin filming until 11 months before its release. Although, given the quality of the movie, that was a mistake and indeed, it would be churlish to try that tactic again.
Related: The Big Problem With The James Bond Franchise (And How To Fix It)
Is This Really Daniel Craig’s Last Bond Movie?
Next James Bond Movie After Spectre
By the time Bond 25 is released, Craig will be the longest-serving Bond because of the gaps between movies. However, he won't beat the late Roger Moore's record of playing 007 a whopping (and fitting) seven times as Craig has said this will be his last.
What Is The Next James Bond Movie
After many negative comments about the franchise and the character itself, many feel that at this stage, Craig isn't doing the role for the fun or prestige that playing such an iconic character will bring. Rather, he's just going through the motions and collecting a big fat paycheck at the end. Then again, Craig has said he wants to play the special agent one more time as he'd like to go out on a high. Maybe, given that Spectre struggled in comparison to the far more superior Skyfall, Craig wants one last shot at starring in a top quality James Bond movie.
Of course, anything is open to change, but as it stands Bond 25 will be Craig's final movie.
Who’s Directing And What Happened With Danny Boyle?
Up until mid-August 2018, Danny Boyle was set to direct Bond 25. He joined the project earlier in the year with a challenging script from John Hodge. However, not anymore.
The official statement said that Danny Boyle quite Bond 25 over 'creative differences'. Of course, we all know that's the old adage trotted out whenever there's been a fundamental disagreement on the creative team. So what was the exact reason? No one really knows; Boyle hasn't spoken on the subject and neither have Daniel Craig or Bond producer Barbara Broccoli - and neither are they likely to right now. A report in the British news suggested that producers weren't happy with the script's focus on a modern-day cold war with Russia, and what really pushed Boyle over the edge was Craig vetoing his casting of Tomasz Kot as the main Bond villain. Craig has final say in all castings and so, when he said no, Boyle waved goodbye. That's just a rumor, but it's worth noting that Boyle doesn't usually work on big budget movies owing to the lack of creative control, so it's likely that there were issues on both sides.
Read More: Who Will Be Danny Boyle's Bond 25 Replacement?
At present. Bond 25 has no director. The most recent rumor is that Jean-Marc Vallee has been approached. He has no directing projects lined up, and he's said previously that a Bond movie would be a fun thing to do. Given his Oscar nomination for Dallas Buyers Club and great success with his TV projects like Big Little LiesandSharp Objects, so could be a great choice.
Page 2 of 2: The Future Of The Bond Franchise
- James Bond 25 (2020) release date: Apr 08, 2020